Ugh. I've had writer's block on Dice for close to three weeks now. Can
I just say they are a solid, can't miss but won't blow-you-away progressive
rock group? Well I just did. OK, maybe a little more info is needed.
Dice were an obscure Swedish band from the late 1970's who released one
album and then disappeared until the rabid Japanese symphonic progressive
fans caught wind of their existence in the late 1980's, and legend status
was born. According to insider information, box loads of their private
album were sent to Japan from Sweden and then auctioned off to an
enthusiastic following. A CD press shortly followed and then, low and
behold, a whole album of unreleased instrumental music from the year before
their debut surfaced! And once again Belle Antique of Japan issued this as
a CD and remastered it from the original two track recording.
And the music? Dice, the debut from 1978, is a like a direct
mixing of Focus 3 and early Caravan. I swear the track "Annika" is
an outtake from the Moving Waves sessions. And the vocalist has an
uncanny resemblance to Richard Sinclair. Tracks like "The Utopian Suntan"
are pure Canterbury fun. And the 22 minute "Follies" is "Nine Feet
Underground" played by Focus with Richard Sinclair as vocalist (that is to
say, no Canterbury rhythms or fuzz organ). While it sounds like the album
may be Dutchlish, it really has that unique Swedish slant. The highlight of
the album is the close to eight minute "The Venetian Bargain", an
all-instrumental complex exercise focusing on the cool organ and double-neck
guitar (remember those? Think Led Zeppelin). Best of all, as it turns out,
this track is more representative of the posthumous 1977 recording The
Four Riders of the Apocalypse. This album proves that Dice were more
effective as an all instrumental group with great chops than one with
singer-songwriter sensibilities. Four long tracks with joyful titles such
as "War", "Disease", "Greed" and "Death". Though funny enough most of the
music is of a joyful nature (ahh Sweden - it does stay dark there all
winter). While neither album is a bona fide classic, both are must owns for
the progressive rock fan.
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